[Gaelic Etc.] Arianna Savall - Peiwoh (2009) [Folk]

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[img=366,366]http://ecx.images-amazon.com/images/I/51AmAHCnH0L._SL500_AA240_.jpg[/img]

[b]Area:[/b] Switzerland
[b]Label:[/b] Alia Vox
[b]Released:[/b] Oct. 19, 2009
[b]Genre:[/b] Folk

[size=3][b]Tracklist:[/b][/size]

[b]1. Preghiera[/b]
Letra: San Francisco de Asís · Música: Arianna Savall
[b]2. El llenguatge dels ocells[/b]
Letra: David Escamilla · Música: Arianna Savall
[b]3. Liebes-Lied[/b]
Letra: Rainer Maria Rilke · Música: Arianna Savall
[b]4. She Moved Through The Fair[/b]
Letra y música: Tradicional irlandesa / Arreglo: Arianna Savall
[b]5. Suite Celta[/b]
Música: Tradicional / Arreglo: Arianna Savall
[b]6. Canción de la muerte pequeña [/b]
Letra: Federico García Lorca · Música: Arianna Savall
[b]7. Aurora [/b]
Música: Arianna Savall
[b]8. Si tornes[/b]
Letra: Miquel Martí i Pol · Música: Arianna Savall
[b]9. Harpa e delirio d’água[/b]
Letra: Aurelino Costa · Música: Arianna Savall
[b]10. Anima Nostra[/b]
Letra: Anónimo · Música: Arianna Savall
[b]11. Peiwoh[/b]
Música: Arianna Savall
[b]12. Adoucit la Mélodie[/b]
Letra: Rûmî · Música: Arianna Savall
[b]13. Naonunai [/b]
Letra y música: Arianna Savall
[b]14. La Musica callada [/b]
Letra: San Juan de la Cruz · Música: Arianna Savall
[b]15. Corazón: muere o canta [/b]
Letra: Juan Ramón Jiménez · Música: Arianna Savall
[b]BONUS TRACK
16. Anima Nostra a 2[/b]

[swf=160,38,1]http://www.8box.com/feed/000000_s_705620_1/mini.swf[/swf]

[b]Quality:[/b] MP3, CBR 192 Kbps
[b]Size:[/b] 107 MB
[b]115.com:  [url=http://u.115.com/file/f284a60d2f]http://u.115.com/file/f284a60d2f[/url] [/b]


[img]http://www.kultur-online.net/files/architecture/Arianna-Savall.jpg[/img]

Born in Basel, Switzerland in 1972, into the heart of a family of Catalan musicians, Arianna Savall, after an initial stage of general and musical education, began to study classical harp at the age of ten, and after returning to Barcelona, continued under the direction of Magdalena Barrera. She concurrently began to study voice at the Conservatory of Terrassa with María Dolores Aldea in 1993. She was awarded her professional qualification in harp from the Conservatory of Terrassa in 1996, and that of voice in 2000. In 1992, she began studies in historical performance with Rolf Lislevand at the Conservatory of Toulouse (France), and took several courses under the tutorship of Andrew Lawrence-King and Hopkinson Smith, as well as that of her parents, Montserrat Figueras and Jordi Savall.

Arianna returned to Switzerland in 1996 in order to continue to study voice with Kurt Widmer and harp at the Scola Cantorum Basiliensis, where she studied mediaeval music with Dominique Vellart, undertaking an “opera studium” under the direction of Carlos Harmuch for three years. In 2000, she gave a harp “Abschlusskonzert” and sang in the Opera Seria (Vienna 1769: Florian Leopold Gassman) at the Theater Basel. In 2001, she completed her studies in voice at the Scola Cantorum Basiliensis with a recital (Abschlusskonzert). (From: [url=http://www.last.fm/music/Arianna+Savall?setlang=en]Last.fm[/url])


[b]Peiwoh[/b] "Based on a taoist tale (Prince Peiwoh playing a wondrous harp, whose stubborn spirit should be tamed but by the greatest of musicians), this album represents a breathing-in of various traditions which have helped me to create and give expression to my musical world, and one of the sources on which I have drawn most deeply is early music and the art of improvisation: an infinite source of inspiration. From the time that I began to compose and sing songs, it became more and more natural to me to accompany myself on the triple harp, and I was fascinated by the depth and subtlety of the Italian Baroque harp. It has a rich, enveloping sonority which is unlike that of any other harp. There are moments on the album when we hear a small Gothic harp, with its warm, remote and yet direct sound; and the most ancient of them all is a Celtic harp, with its magical, ancestral sounds. Peiwoh brings together the various languages, colours and sounds that I heard as a child growing up in Switzerland, at home with my parents, friends and other musicians.And each of them expresses and encapsulates a different part of myself. Each language has its own rhythm and melody, which it modulates in its own distinct way, influencing and inspiring the character and style of the song. Poetry is one of the essential aspects of this musical journey. Peiwoh leads us to the process of maturing, which has sometimes been painful and dramatic: life contains within it "little deaths", as in the poem by García Lorca (Song of the little death). In his short but intense poem My heart, die or sing, Juan Ramón Jiménez shows how music and life overcome fear, giving us the courage to walk on, as if our awareness of the proximity of death gave us a heightened awareness of life and its infinite possibilities." - Arianna Savall. [/font]

[[i] 本帖最后由 recobelle 于 2010-1-24 02:34 编辑 [/i]]