# Title: Chopin:Rubinstein Piano Concertos Nos. 1 & 2
# Performer: Artur Rubinstein
# Orchestra: New Symphony Orchestra of London, Symphony of the Air
# Conductor: Alfred Wallenstein, Stanislaw Skrowaczewski
# Composer: Frederic Chopin
# Audio CD (July 26, 2005)
# Number of Discs: 1
# Label: RCA
# Format: MP3, VBR V0 Avg. 216Kbps
# Tracklist:
1. Piano Concerto No. 1 in E minor, Op. 11, CT. 47: Allegro maestoso
2. Piano Concerto No. 1 in E minor, Op. 11, CT. 47: Romance
3. Piano Concerto No. 1 in E minor, Op. 11, CT. 47: Rondo
4. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: Maestoso
5. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: Larghetto
6. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: Allegro vivace
# Download Link:
http://u.115.com/file/dnjpq1by
提取码：dnjpq1by
From
Wikipedia, the free encyclopedia
Arthur Rubinstein KBE (January 28, 1887 – December 20, 1982) was a Polish-American pianist. He received international acclaim for his performances of the music of a variety of composers (many regard him as the greatest Chopin interpreter of the century). He is widely considered one of the greatest pianists of the twentieth century.
Early life
Rubinstein grew-up on Piotrkowska street, Łódź, Poland
Rubinstein was born in Łódź, Poland on January 28, 1887, to a Polish Jewish family. He was the youngest of eight children. His father was a wealthy factory owner.
His birth name was Artur Rubinstein, although in English-speaking countries he preferred to be known as Arthur Rubinstein. However, his United States impresario Sol Hurok insisted he be billed as Artur, and records were released in the West under both versions of his name.
At the age of two, he demonstrated perfect pitch and a fascination with the piano, watching his elder sister's piano lessons. By the age of four, he was already recognised as a child prodigy. The great Hungarian violinist Joseph Joachim, on hearing the four-year-old child play, was greatly impressed and began to mentor the young prodigy. Rubinstein first studied piano in Warsaw. By the age of ten, he moved to Berlin to continue his studies. In 1900 at age thirteen, he made his debut with the Berlin Philharmonic, followed by appearances in Germany and Poland and further study with Karl Heinrich Barth (an associate of Liszt, von Bülow, Joachim and Brahms; Barth also taught Wilhelm Kempff). As a student of Barth, Rubinstein inherited a renowned pedagogical lineage: Barth was himself a pupil of Liszt, who had been taught by Czerny, who had in turn been a pupil of Beethoven.
Career
In 1904, Rubinstein moved to Paris to launch his career in earnest. There he met the composers Maurice Ravel and Paul Dukas and the violinist Jacques Thibaud. He also played Camille Saint-Saëns' Piano Concerto No. 2 in the presence of the composer. Through the family of Juliusz Wertheim (to whose understanding of Chopin's genius Rubinstein attributed his own inspiration in the works of that composer) he formed friendships with the violinist Paul Kochanski and composer Karol Szymanowski.
Rubinstein in 1906
Rubinstein made his New York debut at Carnegie Hall in 1906, and thereafter toured the United States, Austria, Italy, and Russia. According to his own testimony and that of his son in François Reichenbach's film L'Amour de la vie (1969), however, he was not well received in the United States. By 1908, Rubinstein, destitute and desperate, hounded by creditors, and threatened with being evicted from his Berlin hotel room, made a failed attempt to hang himself. Subsequently he said that he felt "reborn" and endowed with an unconditional love of life. In 1912, he made his London debut, and found a home there in the Edith Grove, Chelsea, musical salon of Paul and Muriel Draper, in company with Kochanski, Igor Stravinsky, Jacques Thibaud, Pablo Casals, Pierre Monteux and others.
Rubinstein stayed in London during World War I, giving recitals and accompanying the violinist Eugène Ysaÿe. In 1916 and 1917, he made his first tours in Spain and South America where he was wildly acclaimed. It was during those tours that he developed a lifelong enthusiasm for the music of Enrique Granados, Isaac Albéniz, Manuel de Falla, and Heitor Villa-Lobos. He was the dedicatee of Villa-Lobos's Rudepoêma and Stravinsky's Trois mouvements de Petrouchka.
Rubinstein was disgusted by Germany's conduct during the war, and never played there again. His last performance in Germany was in 1914.
In the fall of 1919 Rubinstein toured the English Provinces with soprano Emma Calvé and tenor Vladimir Rosing.
In 1921 he gave two American tours, travelling to New York with Karol Szymanowski and his close friend Paul Kochanski, who died in 1934. The autumn voyage was the occasion of Kochanski's permanent migration to the USA.
In 1932, the pianist, who stated he neglected his technique in his early years, relying instead on natural talent, withdrew from concert life for several months of intensive study and practice.
During World War II, Rubinstein's career became centered in the United States. He became a naturalized United States citizen in 1946.
A cast of the pianist's hands, at the Lodz museum
Although best known as a recitalist and concerto soloist, Rubinstein was also considered an outstanding chamber musician, partnering with such luminaries as Henryk Szeryng, Jascha Heifetz, Pablo Casals, Gregor Piatigorsky, and the Guarneri Quartet. Rubinstein recorded much of the core piano repertoire, particularly that of the Romantic composers. At the time of his death, the New York Times in describing him wrote, "Chopin was his specialty . . . it was [as] a Chopinist that he was considered by many without peer" [sic]. With the exception of the Études, he recorded most of the works of Chopin. He was one of the earliest champions of the Spanish and South American composers and of French composers who, in the early twentieth century, were still considered "modern" such as Debussy and Ravel. In addition, Rubinstein was the first champion of the music of his compatriot Karol Szymanowski. Rubinstein, in conversation with Alexander Scriabin, named Brahms as his favorite composer, a response that enraged Scriabin.
Rubinstein, who was fluent in eight languages, held much of the repertoire, not simply that of the piano, in his formidable memory.[16] According to his memoirs, he learned César Franck’s Symphonic Variations while on a train en route to the concert, without the benefit of a piano, practicing passages in his lap. Rubinstein described his memory as photographic, to the extent that he would visualize an errant coffee stain while recalling a score.
Rubinstein also had exceptionally developed aural abilities, which allowed him to play whole symphonies in his mind. "At breakfast, I might pass a Brahms symphony in my head" he said. "Then I am called to the phone, and half an hour later I find it's been going on all the time and I'm in the third movement." This ability was often tested by Rubinstein's friends, who would randomly pick extracts from opera and symphonic scores, and ask him to play them from memory.
By the mid-1970s, Rubinstein's eyesight had begun to deteriorate. He retired from the stage at age eighty-nine in May 1976, giving his last concert at London's Wigmore Hall, where he had first played nearly
